While for us, we always try to reach to as many people as we can, so we have feel-good melodies and simple lyrics so everyone can have fun.” Because of this focus on lyrics, some of the American songs are complicated and can sometimes be not much fun. I am not saying the lyrics are not important, but for us Swedes, for whom English is our second language, we just try to make it understood by a world audience. “While the Americans, it’s the lyrics first, production second and melody last. “For Sweden number one and has always been,” he says. As he told newspaper The National in 2011: Even founding Ace of Base band member Ulf Ekberg dismissed the role of lyrics in explaining Sweden’s success. Roxette, Jens Lekman, and the Cardigans have all written lyrics that seem like they couldn’t have come from a native English speaker, and if you’re familiar with Ace of Base deep cuts, you know that some of their lyrics can actually read like tweets. The language proficiency theory has plenty of exceptions, though. The result, Johansson suggests, is a mastery of the nuances and emotional subtleties of English among Swedish artists-which makes sense if you’ve ever heard Robyn’s many evocative tales of heartbreak. Culturally, Sweden is quite cosmopolitan and welcoming to foreign cultures, lacking the kind of language purism countries such as France have become known for. Linguistically, English, like Swedish, is a Germanic language, which makes it relatively easy to pick up.
They Speak English Well A European Union report from 2008 noted that 89 percent of Sweden can speak English, the highest proficiency rate among European countries where English is not a native language.
"We have feel-good melodies and simple lyrics so everyone can have fun." Other studies claim Abba’s simple, almost nursery-rhyme-like melodies and lighter, vocal-heavy production-in contrast to English and American pop music’s bass- and drum-heavy styles-pioneered an influential, region-less sound easily appreciated by foreign countries. He cites a Swedish-language paper from 2004 that credits Abba’s manager, Stikkan Anderson-who hired mostly Swedish staffers to help produce the band’s music, videos, and tours-with incubating Sweden’s music industry personnel. But Johansson argues that developing a country’s music industry takes time, and there’s evidence that the Abba operation played a key role in maturing Sweden’s pop-music community. One critique of this theory identifies the lag time between Abba’s initial popularity and the next Swedish mega-hit, Europe’s “The Final Countdown,” which topped charts in a dozen countries more than a decade after Abba first got big. Johansson suggests the same could have very well been true for music: After Abba’s early breakthroughs, more Swedes made plays for global pop success.
Sweden Loves Its Role Models In the 1970s, tennis player Björn Borg and alpine skier Ingemar Stenmark rose to international prominence as Swedish athletes, inspiring unprecedented numbers of Swedes to take up those sports themselves. What accounts for this miracle? According to Swedish academic Ola Johansson, it’s not biology, and it’s not the country’s cold climate, either-claiming Swedes make great music because they’re indoors all the time is like saying Seattle in the 1990s was only an alternative rock hotspot because of the rain.įor a 2010 article in the peer-reviewed journal FOCUS on Geography, Johansson examined the scholarly literature about Sweden’s economy, politics, and geography to develop eight theories behind his country’s hits. Will the '70s Be as Unkind to Don Draper as They Were to Real-Life Mad Men?.The Heat's Subtly Radical Portrayal of Policewomen.Ten Years Later: The O.C.'s Influential Glamorization of Teen Drinking.
0 kommentar(er)
